The Tempest RSC


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The Tempest review: Real-time digital avatar brews storm in a teacup Intel, Imaginarium, and RSC deserve applause but live motion-capture challenges remain. Kelly Fiveash - Nov 25, 2016 6:00 pm UTC


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In a droll bout of control-freakery, Kingston blithely waves her wooden staff about, forcing Joseph Payne's coy newcomer to buckle and bend (the last RSC Tempest in 2016 oozed high-tech marvels.


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The Tempest "Gimmicky, but simon russell beale soars" Reviews Nov 17, 2016 by Mark Shenton Royal Shakespeare Theatre, Stratford-upon-Avon


RSC Tempest 2016 The tempest shakespeare, Tempest, The tempest play

Full casting is announced today for the RSC's forthcoming production of The Tempest, which opens in the Royal Shakespeare Theatre in November 2016 to conclude Shakespeare's 400 th anniversary year.


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The Tempest | Royal Shakespeare Company The Tempest William Shakespeare On an isolated island, the magician Prospero plots revenge for a family betrayal. Meanwhile Prospero's daughter encounters other humans for the first time in her memory. About the play Past productions Learning The Tempest on the Shakespeare Learning Zone Merchandise More


The Tempest Story Timeline Shakespeare Learning Zone

Mark Lawson Fri 3 Feb 2023 07.52 EST I f there were prizes for inventive recycling of props, this RSC staging would get the soup-tin statuette. Oil drums are rolled to illustrate anecdotes,.


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Update 15 June 2017: The Tempest has finished its run at the Royal Shakespeare Theatre, Stratford-Upon-Avon, and will move to London's The Barbican at the end of this month, from 30 June - 18 August. For more information, head to the RSC's website.


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The Tempest. By William Shakespeare. Directed by Gregory Doran. Royal Shakespeare Theatre, Stratford-upon-Avon from 8 November 2016 - 21 January 2017. Press night: Thursday 17 November, 7pm. Live.


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Fri 18 Nov 2016 07.06 EST S imon Russell Beale 's return to the Royal Shakespeare Company after 20 years has been overshadowed by excitement about the production's use of digital technology..


Tech comes to The Tempest in new RSC production

Nov 24, 2016 The Tempest has never been one of my favorite Shakespeare plays. I find its multiple plot threads confusing, and the long info-dump in the second scene, right after the wreck of the ship containing the King of Naples and Prospero's brother, gets the play off to an odd start.


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The Tempest The Royal Shakespeare Company Stratford-upon-Avon *****. this production of The Tempest is a most engaging and progressive piece of theatre from the RSC. Doran's vision is artistically enhanced by cast and creative team leaving the audience to wonder if the magical world might just be real. To 21-01-17 (Stratford) 30-06-17 to.


The Tempest RSC

Mon 12 Sep 2016 02.00 EDT The head of the Royal Shakespeare Company (RSC) may be more versed in the language of the Bard than computer chips, but a corporate technology video inspired him to.


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Twenty-first-century wizardry meets the seventeenth-century kind in a Royal Shakespeare Company production of The Tempest with digital effects created by The Imaginarium, a performance-capture company that's best known for movie and video game animations.


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This pack supports the RSC's 2016 production of The Tempest, directed by Gregory Doran. The production opened on 17 November 2016 at the Royal Shakespeare Theatre in Stratford-upon-Avon. The activities provided in this pack are specifically designed to support KS3-4 students attending the performance and studying The Tempest in school.


Tech comes to The Tempest in new RSC production

The Tempest, RSC 2016 - Review | Theatrical Agenda The Tempest, RSC 2016 - Review Posted on January 2, 2017 by thetheatricalagenda We are such stuff as dreams are made on. Gregory Doran's latest venture as Artistic Director of the Royal Shakespeare Company was met with almost tempestuous excitement/apprehension.


The Tempest RSC 2016 Peter Viney's Blog

RSC creative team, how the RSC creative team has inspired technology partners, and what learning from this project could be of use to the arts sector in developing future collaborations. The research draws on three main sources: interviews with 23 core members of The Tempest 2016 team at the RSC, Intel and The Imaginarium; observations of